How To Photograph Your House Like A Professional

There are various reasons someone might have for wanting to have a fantastic, magazine-worthy picture of their home. A current remodel or renovation has possibly left you breathlessly impressed with your own creative skill and now it is time to share the last result with the digital world.

Perhaps you are reaching out to an interior designer who has asked shots of the space so as to aide his/her design and planning. Or you may be selling your home and wish to take stellar photos to post online. Regardless of your reasons, the job of taking professional-looking pictures of your house sounds simple enough, but the fact is amazing pictures take amazing work. Fortunately, even if you don’t have all the professional equipment and abilities, it doesn’t indicate a professional-esque image of your house is out of the question.

Here is some advice for making your house photographs magazine-worthy:

Clean Your Home First

Before snapping any pictures, you have to de-clutter first. Especially if the residence for real estate advertising, you are going to need to clean up and remove anything that takes away from the area in a bid to offer potential buyers a clear view of their potential.

If the picture has been taken for a rental as or Bed and Breakfast which you run out of your house, these pictures will need to be quite tidy. Clients will be on the lookout for clean lines which indicate order within a homey space. This will require the hiring of a house staging specialist – they understand how to make your house seem open and welcoming.

Furthermore, it may be necessary to make a focal point where it did not before exist. Sometimes, capturing the whole room isn’t the best option. It can make an overwhelming visual that does not give the viewer a true opportunity to focus in on what is great about the distance. Consider picking a corner or special setup, like a dining room or fireplace and not something unappealing like the general plumbing of your house, to concentrate on – this will help you picture your home like a real professional.

Most importantly, take enough care with your picture to maintain blurriness at bay. Nothing screams amateur like a well-staged interior picture of a house with blurry lines or edges. If you are going to do this the right way, ensure to put as much attention to the true image as you do setting up for it!

Lighting Livens Your Home (Inside and Out)

Among the most important factors to consider when it comes to photographing Your home like an expert is lighting. This ever-changing lively can make or break an image. Similarly, it can change the sense of a picture drastically within a matter of minutes depending on the time of day.

Go into your photography session with a program. If you are looking to create a softer feeling around your picture, consider taking most your shots in late afternoon as the sun filters dimly through the room. Alternately, if you’re looking for a bright and airy picture of an interior space, mid-day will be your very best choice for the clearest light. And do not forget to turn on all of the lighting sources in the area like lamps, overhead fixtures, and wall sconces – layered lighting creates a general sense of warmth and openness (and eliminates any dark corners in the space) which is a great compliment to any warm-coloured laminated architectural trusses in your home.

If you’re taking outside photos, then be sure to take them when the weather conditions allow for a clear and clean shot – with no harsh sunlight glares. You won’t need to have a shot of the front facade once the sun is on its way behind your house as this will make warmth and dark shadows.

If all else fails, it may be necessary to turn to technology to be able to achieve prime results. Sometimes, regardless of what angle you try, the best-laid shot of an area is just likely to happen with a broader lens or with the support of photo-fixing software.

Invest In The Correct Photography Equipment

It would definitely be convenient to just pull out your smart phone and snap a perfectly professional shot of your home or business inside. But this just is not a realistic expectation. Without a little aid, homemade shots just are not going to make the cut.

Industry professionals spend extraordinary amounts investing in the best equipment to get the perfect shot every time. While it’s not advised that one invest their life savings on gear to get a single picture, it’s highly beneficial to spend a little into purchasing (or maybe borrowing) the appropriate gear – no matter what, it is going to be more affordable than hiring a professional photographer for your job.

When it comes to the ideal camera, there are plenty of options to be considered in the marketplace. One which often finds its way to homeowner hands is your SLR, or single lens reflex camera. Many agree that such a camera provides a very stabilizing effect and generates quite clear shots overall.

Even if you’ve invested in the right type of camera, do not be afraid to spruce up a picture when all is done and said with a small photo editing. As you don’t wish to make a fake-looking picture, giving your photograph a small face-lift is all of the norm in the sphere of interior house photography. There are numerous apps available that may help you erase any defects from a photo – and it is really not cheating.

Take Time Playing With Angles

While the end goal is always to get an incredible shot of any given room, a lot of men and women make the mistake of quitting the photo shoot too early. So as to find the perfect shot and angle, you are going to need to invest a substantial amount of time and memory card space.

When it comes to photographing your house like a professional, you are going to need to buckle down and think like you. As a consequence, you’ll want to shoot more pictures than necessary and be happy to play up all of the weird and funny angles it is possible to find. As light angles and changes change, the best photo can be born from the most surprising of shots!

Similarly, it’s essential to be courageous with your installation choices. If getting a stellar photo means taking the time to install some useful artificial lighting – so be it. And do not be afraid to move furniture and accessories around to enhance the distance, even if it’s only temporary.

If you find yourself struggling with the final outcome, never hesitate to reach out to family and friends – they are certain to give you an honest response. Run some of your last pictures by them and inquire what sort of sense it invokes. If you have the response you’re looking for, great! Otherwise, it is time to continue clicking because after all, you are out to do so like a professional.

While performing your own home photography can be challenging, the results are usually worth the risk. It gives you an opportunity to not only create your own space, but put your personal touch in the finished product in virtually every way.

If you’re willing to invest a little so as to save a whole lot, photographing your own home can be a very rewarding experience. Why not challenge yourself to take a professional looking image of every room in your house in 2015? Even if you never use the photos for anything aside from memories on your scrapbook, at least your photographs will be a lasting keepsake of your glorious home.

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Tips on Shoe Photography – The Do’s and Don’ts

Quality merchandise photography may go a long way towards developing a more positive online shopping experience. How you style your product, the background and lighting on your studio, your camera settings, the angles you take from, and your post-production processing will affect if your product images convert online traffic into customers.  

Footwear photography, particularly, comes with its own unique set of dos and don’ts.  

Men's and women's sneakers


Don’t use harsh lighting 

Lighting is just one of, if not the most, critical parts of shoe photography. You must A women's sandalshave appropriate lighting or your product will not look appealing to your customers. The wrong type of lighting can emphasize imperfections and warp colors. Harsh, direct lighting that casts deep shadows is the worst type of lighting for shoe photography.  

Don’t use blurry or soft focus 

Soft focus could be artistic in many photography genres, however, in shoe photography, customers regard soft focus as a nuisance because it prevents them from seeing exactly what they will be purchasing. The more the picture is out of focus, the less the customer will see the product in its entirety.  

Don’t crop inconsistently 

Images on your website are side by side, and inconsistencies draw attention to the eye. Your customers will see if a number of your footwear images are more zoomed in than others, and they will notice if shoes exactly the same distance away from the camera are higher or lower than each other. They will notice differences in light, differences in attention, and so on. All such inconsistencies divert focus from the product itself. 

Don’t display too few angles 

One of the largest mistakes in shoe photography is showing very few angles of the product on the listing. Clients want to see each side and face of the shoe as they decide whether or not to purchase it. 


Do use softer lighting 

Exploit soft, natural lighting. Take your photographs inside along a large window with natural light flowing in or alternatively rent a studio softbox installation if you’d like to go down the artificial lighting route. If you must take photos outdoors, locate a thickly-shaded area to find the most even light. However, do not take photos at midday.   

Do use higher aperture 

Using an aperture of f/11 on your DSLR camera, for example, will promote every aspect of your shoe into focus. Also, make sure to use a tripod as this will reduce camera shake and give your images maximum crispness. 

Do create a cropping template 

A pair of women's shoesDevelop a shooting and cropping template which keeps to strict guidelines and retains your images making them consistent from frame to frame. Abiding by a template will speed your shooting and post production workflow enhancing the professional appearance of your site by providing you with a constant portfolio of product pictures that all appear to belong together. Many online channels need certain web criteria for cropping and sizing, so observe image guidelines and incorporate them into your template to make your shoes look their very best.  

Do provide a number of different angles 

Customers love to examine shoes from all angles. Photograph the side view, the view from the back, the top view, the view of the shoe turned slightly to the left, and all versions of these suggestions. Some other suggestions include: 

  • At least one angled shot of the entire pair of shoes 
  • Two straight-on side shots: left and right 
  • Two angled side shots: left and right 
  • A shot of the front part of the shoe 
  • A shot of the back of the shoe 
  • A shot of the top view of the shoe 
  • A “detail” shot up close to depict texture, material, etc. 


Once the shooting is complete the final step is editing to ensure consistency Converse women's shoesacross all images. Editing is just as important as the shot itself. This process gives you the chance to tidy up and enhance your photos. The shoes need to appear clean.  Spend time cleaning up dust particles, editing out glue, or anything that is not supposed to be there. Even if you made a small mistake when shooting, the right software can help you end up with great results. 

When possible, it is suggested to shoot in RAW so you have the most options. RAW files have a much larger dynamic range within every photo, providing you with greater flexibility. If you don’t have access to Adobe Lightroom, there are free applications such as Irfanview or Picassa, which could also edit RAW photos. If you are not shooting in RAW but still need to clean up a few things, Adobe Photoshop is a robust tool although it does not come cheap. However, there are a number of free options out there to use. For example, Pixlr Editor is the nearest thing to Photoshop, and it is a free online application. 

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Website Photography Ideas

Your photography site is the foreground of your organisation, it is the first point of contact for buyers or clients. Despite the fact that each photographer envisions his/her website otherwise, some details should always be there

website templates for mortgage brokersTo help move you forward with your own business targets and create an appealing site, we have compiled a list of successful traits in which a website should have. They are valid regardless of whether you are just starting out & looking for some advice or simply require a site refresh. Successful websites have known the value of simplicity, of focusing on the essentials and removing the superfluous. So even for those who have a good deal of content on your website, you should attempt and organise it in a very simple manner, to not confuse people and invite them to leave the website. Attaining a fantastic amount of simplicity (without sacrificing usability) is really tough! Simplicity can help you prioritize the important things, also it produces a better browsing experience for the customers. You have to understand how to thoughtfully restrict your customer’s choices and attempt to guide them through the website, to simplify your navigation & images, and to only highlight the vital elements on the page. Businesses are occasionally overly-concerned with the visual areas of the website, at the cost of usability, although 83 percent of visitors leave a site as it takes too many clicks to get to what they need, that is an enormous number! Visitors should find it intuitive to browse the website, so some best practices are in order:

Menu items should be minimal (5 or 6 ideally) · The menu should be placed either Websites for logo designon the top or on the left side · Whatever the location, the websites menu should maintain a consistent · A fast way to get back to the homepage should always be present (usually through a “Home” menu item, or by clicking on the logo)

Successful websites are bringing forward only their very best work. When people reach your site, you simply have a first impression, so make it count. Filling entire pages with innumerable galleries and graphics will not get you very far. (Some exceptions are worth mentioning here: stock photography archives, client/commissioned galleries, archive/backup folders.) Content curation is a skill you really have to master if you would like to reach an elite level. That means learning how to give up your fair content, and just sticking with your absolute best pictures (even if you think they’re too few to matter). You should edit down as much as possible, and just encourage the things you are proud of. Do not fill in gaps (with “average” articles) only for the sake of it. affordable web designSo be aware about the amount of images on your slideshows or the amount of featured galleries on your own homepage, and just promote your very best work. Oh, and remember that the order in which you sort images (in slideshows or portfolios) may also affect the way they’re perceived. Top images which are quality content should be regularly added (pictures, articles) to the website since they are effective and they have the time/money/connections/chances to do so. However, the reverse is also true: they are successful because they always keep adding content. But consistency is not easy to attain, so many businesses quit too early…

Even in case you feel your work isn’t good enough, even if your blog articles are not too long, even if you believe it is not worth it anymore, keep pushing through. When you are down, what you are feeling is inner immunity or a fear of failure. Learning how to push past them can work wonders for your self-confidence and the level of your work. And even in the event that you don’t have any new content (perhaps you have not done a photo project in some time), at least go ahead and rotate some of your homepage content, change things up, make it seem fresh.

There is nothing wrong with re-promoting a few of your previous content from time mortgage broker websitesto time. More on this subject here: “Maintaining your online portfolio ” Mobile browsing is huge nowadays, you can not ignore it any longer. In actuality, mobile-friendliness is currently an important ranking element for Google. This means not forcing mobile users to pinch-and-zoom so as to navigate through your website. And that is where reactive design comes into action, allowing your site’s content to properly adapt to any screen size, making a much better browsing experience. For using photography in your website, plays a much larger role because users will need to interact with the website more (to alter slideshow images, to buy images etc.) Great sites handle that nicely, resizing images/content as needed, and talking of modern mobile devices, serving high-quality (“retina”) graphics is also gradually becoming the norm. You should definitely ensure that your site is responsive, you can not afford to alienate a good chunk of your customers. These are a few of the main attributes of successful photography sites. Hoping to follow their lead and to achieve the same level of website design quality, will surely increase your business to another level. But remember that well known websites also got there through hard work, and by constantly attempting to go out there and shoot fantastic images. Constantly keep focusing on the proper things to benefit your website, images being one of the most important aspects of any successful website.

How can YOU start making your website more successful with imagery?

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Architectural Photography Celebrates Lines and Symmetry

There is something completely soothing about this show by Finnish photographer, Tapio Koivula. In a similar vein to Instagram’s obsession with lace and grids, Koivula’s black and white pictures are appealing to the eye. Based in the city of Tampere, the photographer intends to use natural light, contrast, and shadows. His interests include films, design, nature, and design – a mixture of which is evident in his work.

Of this series, Koivula claimed that you will observe unique buildings, landscapes and detail in the continuum of this round, straight or angled lines which emphasise the contours, shadows and natural light. The photographs are located in Tampere and the surrounding region – Tampere is the most populated inland city in any of the Nordic countries. His work has been described as ‘thoughtful’, and he as being a ‘mysterious mathematician’. Very cool.

Our modern day, image-obsessed civilization has got us consuming a large number of architecture through photos, instead of physical, spatial experiences. The benefits of architectural photography are excellent; it enables people to acquire a visual comprehension of buildings and second storey extension designs they might never get the chance to go to in their lifetime, creating a valuable resource which enables us to expand our architectural language. However, any person has to remain critical towards the disadvantages of photography when it comes to architecture.

Jeremy Till, author of “Architecture Depends,” summarizes this in his chapter “Out Of Time”, claiming that the picture enables us to forget what comes before (the pain of lengthy labor to accomplish the delivery of the fully formed building) and what’s to come after (the affront of time as grime, users, change, and weather move in). It freezes time or, instead, freezes outside time. Architectural photography lifts the construction from time, out of breath, and in this gives solace for architects who will dream for a minute that design is a stable power present over and above the tides of time.

We have all come across a beautiful or interesting building in our own life, it is another matter of art. There are a number of architects that spend a whole lot of their time designing these awesome structures, and there is even an entire genre of photography to capture and share the beauty in these buildings. There are many outlets for the best way best to shoot photos of these extraordinary architectures you may encounter. Consider helpful suggestions and ways to think beyond just taking a photograph head-on and from outside.

A few of the buildings aren’t just beautiful outside, but inside too. I have even run into a few buildings in which the exterior is not anything spectacular but as soon as you walk inside, there is a whole other marvel to look at and catch and a spectacular view past a distant mysterious slab crane or two. Be sure to take a look at the structure completely and see what other perspectives can catch your attention. For those of you who shoot architectural photography frequently, what are some tips or advice you’ve got for the rest of us?

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Pixelmator and Prisma Unveil New Machine Learning Features

Pixelmator is best known for being the picture editor for Mac you purchase if you don’t need – or can not afford – all of the bells and whistles that come with Photoshop. Now, the firm behind Pixelmator is introducing a few of those additional features itself, unveiling a brand new version of its applications now named Pixelmator Guru as a perfect editor and photography tool.

I’m looking out for Pixelmator Guru to go on sale later this year at an undisclosed cost. (The organization said that they hope to make it as cheap as possible. By comparison, routine Pixelmator prices $30 for the Mac, even though a Photoshop subscription begins at $10 per month.) The newest program has a redesigned look and also a range of innovative tools for tasks including retouching photographs, creating vector images, digital painting, and designing layouts. Pixelmator Pro won’t be able to do everything that Adobe’s complete suite does, but it seems like a large step up from the provider’s unique applications.

Pixelmator’s Andrius Gailiunas told The Verge that the target market is pretty much everybody, and that their aim has always been to make an image editor that absolutely anyone can use and revel in. “Photoshop (and other apps) do their thing and we do ours.”

Two large updates stand out in particular for me. One is the redesigned user interface, which the organization says is completely and entirely Mac. In practice, given their test environment management strategy, that means less litter, tabs for switching between different displays in one window, and also the elimination (largely) of floating tool windows in favor of sidebars. There is also complete support for split-screen multitasking, iCloud backup and syncing, and a custom key layout for your Touch Bar on the MacBook Pro.

Another exciting shift that I can see is the incorporation of Pixelmator Pro with Apple’s brand new Core ML, making API a pair of fresh machine learning-enhanced tools. These include a brand new Quick Selection tool which Pixelmator says snaps into bounds more intelligently than ever before; a feature that automatically tags distinct layers according to their material; and also a repair tool which will quickly and easily eliminate and replace sections of any photograph.

Concerning performance, this is not a world first, which has also been quoted by IT consultant companies and software professionals. (Adobe’s Content-Aware tech was doing the same thing for years.) However, it’s noteworthy how the new machine learning programs such as Core ML are creating this type of feature more broadly accessible. Talking glowingly of Apple’s brand new API, Pixelmator’s team stated it eliminated normal development headaches like needing to account for distinct users’ hardware capacities.

These gaudy features aside, Pixelmator Pro also introduces a few practical functions missing from the initial software, such as support for processing RAW pictures (a must for photographers seeking to perform professional-grade editing). Again, however, if you compare with Pixelmator Guru to additional applications available on the marketplace, it will not match each of the top-level capabilities. That means, for instance, you won’t get exactly the exact same cataloging and indexing capabilities you get with the likes of Adobe Lightroom.

I’ll need to try out Pixelmator Guru for myself (and see exactly what the price tag is similar to), but this ancient preview is promising. The organization behind Pixelmator has made its name offering easy-to-use, great looking applications at a sensible price. If the Guru edition continues this fashion, it must get a welcome home one of Mac users.

In other news, Prisma’s machine learning photography program might not be as hot as it had been in 2016, but that does not mean it’s going away. If the programmer has its way, you will see its technologies in several areas before long. The business informed The Verge that it is shifting its attention from just its in-house program to promoting many computer vision tools based on its AI technologies, which range from object recognition to confront mapping and discovering the foreground in a picture. In theory, you would see Prisma’s smart processing locate its way to your mobile or some popular social network.

The Prisma program is staying put, to be clear – it’s 5 million to 10 million monthly users, which is by no means an accomplishment for a small startup. It just will not be the only focus.

There is no mention of first clients, but Facebook probably is not in the running given that it already riffed on the photograph filtering notion shortly after Prisma became popular. Not that Prisma is reluctant to coping with its erstwhile rival. Co-founder Alexey Moiseenkov visited Facebook in 2016, along with other creator Aram Airapetyan, and stated that it didn’t matter who Prisma worked with, as long as it could pursue its own technology. So don’t be shocked if its technologies is intriguing enough that a bigger company finally determines that it finally wants to snap up all of Prisma, instead of paying for a toolkit.

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Meal Photography Tips

I never expected to be taking so many mobile phone pictures of meals from breakfast restaurants, but now, like many Instagram fans I cannot imagine not doing this.breakfast restaurant

It is almost as if I think of my phone as camera that has the additional feature of being able to call people, rather than the other way around. With my experience I’ve noticed there are some common mistakes that you see people making when shooting their meals when eating out or taking home for sharing on Instagram. So here are three tips to get your food photography popping.

Don’t use the flash.

There’s something about flash and food which only makes the food seem like an autopsy report. I believe some folks also get too near. When you get too near food it will not look attractive. It looks like a science experiment. I will attempt to step back a little bit, actually attempt to set the food in the circumstance where it is being experienced at the restaurant. For instance notice in the photo below how I capture the wine as well? That’s because I was in the Yarra Valley and felt it was integral to where I was and the meal I was eating.

I shall [also] practically never place a filter on meals, since it has a tendency to skew the colours as well as the tones in an awkward way. There’s nothing attractive about a spinach salad using a reddish tint to it since you put on a classic filter.

wine yarra valley

Utilise Composition and Lighting

The most essential components are really composition and lighting. Whenever you’re taking a cell photo, you truly need to be certain that the surroundings you’re in has good lighting. If I am at a restaurant among the first things that I will do is ask if I could sit by the window or sit out. With food, the colours need to be correct or it does not seem like something you’d want to consume.

People are kind of hardwired to either like or dislike a food based on how it seems. Fantastic lighting will bring out the natural colours. When it’s something which we are familiar with and the colours do not seem like what we have previously experienced, it does not seem right. You wouldn’t wish to have a hot dog that’s blue. You’ve got these preconceived notions that a hot dog ought to be reddish.

Express the Environment

There’s something particular about food which it sort of brings people together and that’s something which I attempt to integrate in my photographs. It is how food makes people socialize with each other which makes it kind of intriguing. By placing in this human component, a hand or an individual, even holding a cup of coffee and viewing two fingers at the backdrop, it makes it a little more approachable.

all day breakfast

Personally, I love to shoot lunch or all day breakfast meals since light will be a good deal better earlier in the afternoon. I really like shooting coffee, but it is tough to find exceptional shots of the exact same drink everyday. Generally, food which includes structure to it will come out a little bit better.

Hopefully my tips are helpful, I think capturing meals is such a beautiful way to utilise photography as there is a certain enchantment to the way food is presented which is often forgotten about once you have finished eating. If you keep my three tips in mind hopefully you’ll capture some amazing photos. Good luck!

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Food Photography Tips

food photography tipsI am definitely not a professional food photographer, but my photos have improved with practice (lots and lots of it). Here are the top tips and tricks I can provide about food photography and equipment.

I am definitely not a professional food photographer, but my photos have improved with practice (lots and lots of it). Here are the top tips and tricks I can provide about food photography and equipment.

It is all about the light! My best suggestion for beginners is to become conscious of the strength of the light and the way that it hits the meals, and learn how to adjust accordingly. Below are some ideas for getting started.

Take photographs under natural light. Don’t use overhead lights or lamps or your own built-in flash. Ever!
Proceed to obtain the best light source. Do not feel restricted by just shooting photographs in your kitchen.
Try taking photographs from several angles. Some dishes of food look better from above (such as, pizza), or on the side (hamburgers), or at a 45-degree angle (beverages). Consider moving around the plate and taking photographs at different angles so that you can select your favorite later. Ask yourself does this napkin or busy background increase the ‘flavour’ of the picture or does it detracts from the it? Focus on what’s most important, but do not zoom in so close that audiences can not tell what the food is.

Troubleshooting Common Food Photography Difficulties

Keep reading for potential solutions.

Your photos are fuzzy. Blurry photos come from camera shake. Solutions include:

  • hold your camera steadier (easier said than done)
  • use a tripod with a remote so that your camera remains completely still while you are shooting
  • use a faster shutter speed, which will require opening up your aperture or moving into an area with more light or,
  • boost your ISO to lower the amount of light required (this will reduce image quality).

Your colours are not true to life. When you are editing your photos, if your plate of food appears really yellow, pink or blue or green, then you need to use your program’s white balance tools to repair it! Colors come alive when the white balance is set correctly. If you shoot in RAW format, you will have an easier time adjusting colour balance afterwards. Experienced food photographers use lenses that let them narrow their depth of field to highlight the topic of the photo. They then use photography applications to tweak the contrast, sharpness and levels of their photographs. Occasionally a few small edits can definitely make a picture pop.

What Camera to Use

You do not necessarily need a super fancy camera to take appealing food photographs. You can probably get by using a point-and-shoot camera for a little while if you use it well. Consult the user guide, use the macro setting and practice!

When you’re ready to get full control over your exposure and focal length, save up for a DSLR camera (that is short for digital single-lens reflex camera). It is an investment, truly!

If you can not decide between a Nikon DSLR or Canon DSLR, the differences between the two are fairly minimal. Comparable models will create photos of comparable quality, so select the best camera available in your price range.

Before you buy, read reviews and visit a local photography shop to try them out in person. If one brand’s cameras look more user friendly and feel more comfortable in your hand, go for that one. The lens that you use for food photographs are going to have more of an effect than the dSLR itself, so I suggest purchasing the camera lens and body individually.

You need more of an ‘eye’ than you need equipment. I have know people who buy expensive cameras and not know how to use them. In turn, the images they take are bloody awful. get to know your camera, get to know basic photography techniques and before long, you will be taking food photos along with the best of them.

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